Conservation rooflight installation in SouthamptonSat low in the old slates.

Slim-framed, low-profile rooflights for slate and clay tile roofs, listed homes, conservation areas and National Park cottages. We send the roofer the opening size and prepare the roof detail the council may ask to see.

Or call 023 8104 0453

A slim black rooflight with a centre bar set into the old slate roof of a brick cottage

Where a conservation unit suits the roof

A Victorian slate terrace

A narrow unit sits low in the slope and lights a loft room without changing how the street looks from the pavement.

A cottage under old clay tiles

A small black frame with a centre bar echoes the cast-iron rooflights that old outbuildings and cottages once had.

A listed or protected roof

The size, position and finish are drawn first, so the council or conservation officer can look at exactly what is proposed.

Conservation rooflights on the roofs they suit

  • A black two-pane rooflight set low in the slates of a Victorian terrace
    Low unit in a terrace slate roof
  • A cottage attic with oak beams and a small black rooflight with a centre bar
    Cottage attic under oak beams
  • An old brick cottage with two small black rooflights in a mossy clay tile roof
    Pair on an old clay tile roof

Conservation rooflights, roof by roof

A conservation rooflight, drawn and ordered before the slates come off

What the unit looks like, who decides on an older roof, how it is sunk into slate or clay and what the roofer needs from us

Old roofs are less forgiving than new ones, and the council looks at them more closely. This is for owners of Victorian terraces, village cottages and listed homes, and for the roofers and architects working on them, who want a rooflight that looks as if it belongs and arrives on the day the roof can take it.

Part 01

What makes a rooflight conservation

A flat profile, a thin frame and one bar down the middle

Before there were roof windows, there were rooflights: small cast-iron frames bedded into the slates of workshops, stables and attic rooms, with a single pane or a pair of panes divided by a bar. They sat flat, they were made of thin section metal and they were painted dark. The modern conservation rooflight borrows that appearance on purpose, with modern glass and a modern seal behind it.

Three features give the type its name. The unit sits low, with the glass only a little above the slates rather than standing proud of them. The frame is slim, in steel or aluminium, so more of the opening is glass than metal. And there is a vertical bar down the middle that divides the glass into two panes, which is what a historic rooflight would have had and what makes the opening read as old from the street.

A standard roof window, by comparison, has a deeper frame, a wide flashing surround and a single large pane. Both are good products. They simply suit different roofs, and the guide to choosing a conservation rooflight or a standard roof window lays the two side by side.

Why the detail matters to the council

When a roof is protected, what the council weighs is how the building looks from outside. A flush, dark, barred unit in the right place can be close to invisible from the road, while a deep, bright-framed window in the same slope draws the eye. That is why conservation officers talk about profile, proportion and finish, and why those are the words we use on the survey.

None of this makes the glazing bar compulsory in every case. Some roofs and some officers prefer a single pane; some makers offer both. The answer page on whether a conservation rooflight needs a glazing bar explains the choice.

On every job, the order of work is the same. We survey the roof and record its covering, then we draw the proposed unit, then the roof is checked with the council where that is needed, and only after that is the rooflight ordered. Nothing is made until the position and the finish are agreed.

On an old roof the drawing comes first, the order second and the slates last.

Part 02

Conservation areas and listed homes

Who decides, what to ask them and what to have ready when you do

A rooflight in a conservation area is not forbidden, and it is not automatic either. The council that is the planning authority for your address decides how the area's rules apply to your roof. Southampton City Council covers the city; neighbouring authorities cover the towns around it. We check which authority and which designation apply to the address at the survey, and tell you what we find. The decision is the council's.

The ordinary permitted development rights for rooflights can be taken away, either by an Article 4 direction covering an area or by a condition on an earlier planning permission. We check rather than assume. We also show you how to check, and our guide to rooflight planning permission sets out the rules and where to look. The page on rooflights in conservation areas goes into the process for protected streets in more detail.

Listed homes

A listed building is different. Permitted development does not apply to it, and changing the roof in a way that affects the building's character generally needs listed building consent from the council, whether or not planning permission is also needed. The conservation officer will often want to see the exact unit, its position in relation to the rafters and the slates, and sometimes a sample. Historic England publishes guidance on altering listed buildings on its website.

Because the process takes the time it takes, it needs to happen before the rooflight is ordered. If an officer asks for a smaller unit or a different position, you want to hear that before a made-to-measure frame has been cut. Our answer on whether you need listed building consent for a rooflight covers the common questions.

We prepare the drawing and the unit details and can send them to the council with your authority, or hand them to your architect. We make no promises on the outcome, since that sits with the council.

Part 03

National Park roofs

When your address sits inside the New Forest or the South Downs

Part of our area is inside a National Park, and those parks have their own planning authorities. Inside the New Forest National Park the planning authority for most applications is the Authority for the Forest itself, not the district council. Inside the South Downs National Park it is the South Downs National Park Authority. Their offices, rules and published guidance are different from the council next door.

National Park land also has reduced permitted development for some kinds of work. Rooflights can still be installed, but you check before assuming a right exists, and that a drawing and a short application may be needed where a district council would not ask for one. We look at the address on the survey and tell you which authority applies and what we have found.

What the Park authorities look for

The two parks care about different things in the detail. In the New Forest, the interest is in village character, the pattern of cottages and the dark skies at night, which makes the choice of a small, low unit more than a matter of taste. On the South Downs, the interest is in the character of the villages and the way the buildings sit in the countryside, as well as the dark night sky. In both, a rooflight on a rear slope that cannot be seen from the road is easier to justify than one on the front.

Dark skies are a good reason to think about the glass and the interior lighting under the unit. A rooflight in a bedroom lights the room by day; in the evening it can show light to the sky, so a blind or a shaded fitting helps in a Park. Our overview of rooflights in the New Forest and South Downs National Parks sets out what each authority publishes.

You can find each Park's planning pages on the New Forest and South Downs authority sites. Both explain how to contact a planning officer before applying, which is worth doing for an unusual roof.

Part 04

Slate, clay tile and the flashing

Sinking the unit into the roof plane so the covering meets it neatly

A conservation rooflight succeeds or fails at its edge, where the frame meets the roof covering. On a standard roof window, a flashing kit made to the covering handles that joint. On an older roof, the covering is often not standard: slates of uneven size, handmade clay plain tiles, a pantile with a particular profile, sometimes a mix from different re-coverings over the years. The flashing has to be made to suit the actual roof.

A close view of a slim black rooflight with a vertical bar, set into a slate roof
A slim black frame with a single vertical bar, lying close to the slate around it.

The unit is set between rafters, with the frame sitting down onto the battens so that its upper surface is only slightly proud of the covering. Slates or tiles are cut to the flashing so the water path runs across the frame and not into it. On slate, lead soakers and flashings are commonly used, formed by the roofer to the specific coursing. On clay tile, a lead or purpose-made flashing is dressed over the tile profile.

The sill and the head

The sill, at the bottom of the unit, is the part everyone sees. The slates or tiles in the course below it sit over the lower flashing edge, tight to the frame. The head, at the top, takes the water from the roof above and carries it round the sides. A neat head and a neat sill, with consistent gaps, are what make the rooflight look as if it was always in the roof.

The sides need the most care on a double-lapped plain tile roof, where tiles overlap in two directions and the water path is longer. The roofer sets out the courses before the opening is cut so that a minimum of cut slates or tiles is needed, and so that cut ones are not left narrow and prone to lifting.

Reclaimed slates and tiles are worth keeping from the opening itself. The pieces removed are exactly the right colour and weathering to go back around the frame, which is why we ask the roofer to set them aside rather than skip them. If more are needed, a slate sample goes to the survey to be matched.

Underneath, the rafters either side of the opening are doubled where the structure calls for it, and a trimmer is fixed above and below. The builder or carpenter forms this before the slates go back. We send the size and the trimmer positions in writing for the exact unit.

Part 05

Glazing in a slim frame

Double glazing, thermal limits and the special treatment older buildings can ask for

A slim frame leaves little room for glass thickness, and for many years conservation rooflights were single glazed to fit the profile. That has changed. Makers now offer sealed double glazed units thin enough to sit in a slim section, so a new unit can look like a historic one and perform much better. Whether a particular rooflight is double glazed is a question of the product, and the quote says which build-up you are getting. Our answer on whether conservation rooflights are double glazed gives the background.

The thermal rules depend on how the unit is classed. For an existing home in England, Part L 2021 caps the rooflight figure at 2.2 W/m²K; roof windows are judged as windows, at 1.4 W/m²K or Window Energy Rating Band B. Makers declare their own figure for each product, and the quote shows it next to the limit that applies.

Thermal limits and what they mean for an older roof
Product typePart L 2021 limit, existing homesWhat we put in the quote
Roof windowWER Band B or 1.4 W/m²KThe maker's declared figure for the chosen glazing
Rooflight2.2 W/m²KThe maker's declared figure for the chosen glazing
Single glazed historic-style unitNot suited to a heated room without a plan agreedA note on the glass and the council's view
The class of unit depends on the product; the maker's declaration decides it, and we confirm it in the quote.

Approved Document L recognises that historic buildings, including listed buildings and those in conservation areas, can need special consideration where full compliance would change their character. That is a conversation between the building control body, the conservation officer and the owner, and we supply the data they need. The standard still applies, and the people involved agree how far it can be met without harming the building's character.

Glass details that show from outside

Even a double glazed unit shows its edges. A slim spacer bar in a dark colour reads less than a bright one, and a fine seal looks better than a thick one. We specify a dark edge to match the frame where the maker offers it. The glass itself can be clear or tinted, and the choice follows what is already in the building; a roof with old windows in plain glass looks odd with a coated rooflight beside it.

Whether a unit can open is a separate question. Some conservation rooflights are fixed, and some are hinged at the top with a simple catch or a pole. If ventilation matters in the room, say so at the survey, since a hinged unit helps move warm moist air out of an attic bedroom or bathroom.

Part 06

Ordering for an older roof

Stock sizes, made-to-measure frames and the drawing the council sees

Conservation rooflights come in a range of sizes, and for many old roofs a standard size will do. Rafter spacing in a Victorian house is rarely the same as a modern one, and the opening has to sit between rafters unless the structure is altered, so the sizes we offer for a given roof depend on the rafters we find. The survey records the spacing so the unit is chosen to fit.

Other makers will build to a size you specify, which is useful if the roof has an unusual pitch, a particular slate gauge or a position that must match another rooflight already in the building. Made-to-measure takes longer, and the maker states the lead time for your unit. Your quote carries it, and the delivery date follows when the order goes in.

An architect's roof elevation drawing on a table with a pencil and a slate sample
The roof drawn with the rooflight shown, and a slate sample alongside to check the match.

The drawing

A roof drawing is both the council's document and the roofer's. It shows the roof slope, the position of the unit with measurements from the eaves, ridge and gable, and the make and size of the rooflight. It may also show a section through the roof to show how the unit sits in the covering. We can produce this for you, or work from your architect's, as long as the dimensions match the unit being ordered.

Cost is shaped by size, glazing, finish and whether the unit is stocked or made to order. We quote in writing after the survey; the general picture is on our costs page, and the specific factors for this product are in the answer on what a conservation rooflight costs.

We order after approval because a made-to-measure frame cannot be returned for a different size, and an officer who asks for a smaller unit will not wait while a larger one sits in a van. We would rather the order waits a week than the frame sits unused.

Part 07

Fitting with the roofer

Battens, slates, lead and the day the opening is cut

On an older roof, the roofer is the lead trade. They strip the slates or tiles from the opening, cut the felt or membrane, deal with the battens, and dress the flashings. We fit the rooflight into that opening, or where the roofer prefers, fit it alongside them on the day. We agree which approach with them beforehand.

The sequence is short but exact. The covering is stripped back and set aside. The rafters are checked against the trimmer positions we gave. The unit is placed on the battens, squared, fixed to the maker's instructions and tested for level. The flashings go on, working up from the sill, and the covering is brought back to them in courses. Last come the finishing details at the head.

Fitting day on a slate or tile roof

  1. RooferStrips the covering from the opening and sets slates or tiles aside
  2. CarpenterChecks the rafters and fixes the trimmers
  3. UsPlace, square and fix the rooflight to the maker's instructions
  4. RooferDresses lead or flashing up from the sill and recovers the roof
  5. PlastererLines the reveal inside once the roof is closed

Weather and access

A rooflight job opens the roof for a short time, so the day is chosen with the forecast in mind and the opening is covered if the weather changes. Scaffold or a roof ladder is arranged by the builder, since the roofer works from it too. On a terrace, the neighbours on both sides are told, because the scaffold and the noise are theirs to share for the day.

Inside, the electrician has first-fix work if the unit is electric or if a reveal light is wanted, and the plasterer closes the reveal once the glass is in. In a loft room with old timbers, the reveal is often lined in a way that leaves beams visible. The builder's side of the job is covered on working with your builder.

We fit to current Building Regulations and handle the notification for our work where it is needed. The 10-year cover on our workmanship starts from handover, and the handover pack includes the maker's care sheet, the flashing details and the drawing.

Part 08

Older roofs around Southampton

Victorian streets, river villages and cottages on the edge of the forest

Southampton and the country around it have a wide span of older roofs, and each kind asks for something a little different. Victorian and Edwardian terraces and semis, which make up a large part of the older housing near the city centre, are commonly roofed in natural slate, with a steep enough pitch for a loft room. Many have been converted already and carry modern roof windows at the back; some still have untouched attics.

Where those streets lie in a conservation area, the front slope is usually the one the council cares about and the rear is the one that gets the rooflight. A conservation unit on the rear slope lights a stair landing, a bathroom or a study without much effect on the view from the road. The council's website shows where its conservation areas are, and we check the address against it.

The roof that matters most to the street is the front slope, and the rooflight usually goes at the back.

Villages and forest cottages

East and south of the city, river and estuary villages grew up around small harbours and old village centres, with cottages and terraces roofed in slate and clay tile. Further out, the New Forest has brick and tile cottages, many with low eaves and small attic rooms where a single small unit does the work of a window. Some are inside the National Park, and the earlier chapter on National Park roofs tells you what to check.

To the north and north-east, towns and villages in the Test and Itchen valleys and on towards the South Downs have a similar mix of slate, clay tile and the occasional thatch, with brick and flint walls. Rooflights do not suit a thatched roof, and we would say so at the survey rather than draw one.

Across all of these, one habit helps. Look at the roof from the road and from the garden, and decide which slope matters to the street. Then put the rooflight on the other one, as small, low and dark as the room allows. If you are not sure whether your address is in a protected area, ask us at the survey and we will find out.

We cover Southampton and every town within 30 road miles, with no public premises. A free survey is the first step, and the quote that follows names the unit, its glazing and the order of work.

Where a conservation rooflight sits in your programme

Where a conservation rooflight sits in your programme
StageWeek 1Week 2Week 3Week 4Week 5Week 6Week 7Week 8Week 9Week 10
Survey and roof drawingWeeks 1 to 2
Council consideration where it appliesWeeks 2 to 5
Rooflight ordered once the roof is agreedWeeks 5 to 6
Manufacturer lead timeWeeks 6 to 9
Trimmers fixed by the builderWeeks 8 to 9
Covering stripped, unit fitted, roof recoveredWeeks 9 to 10
Reveal plastered and finishedWeek 10
  • Our work
  • Your builder, to our written sizes
  • Manufacturer lead time
  • Your builder and other trades
An illustration of an older roof where the council looks at the proposal first. The council sets its own time, the maker has the real lead time, and the delivery date follows when the order goes in.

Conservation rooflight questions from owners and roofers

What is the difference between a conservation rooflight and a roof window?

A conservation rooflight sits low in the roof, with a slim metal frame and usually a central bar. A roof window has a deeper frame and a wider flashing surround. Both are made to measure for a given roof, and we choose between them by what the covering and the street need.

Do I need permission to fit one in a conservation area?

It depends on the address. A planning condition or an Article 4 direction can take permitted development away, and listed buildings need listed building consent. At the survey we check your address and report back; the council makes the decision. Our planning guide shows how to check for yourself.

Can a conservation rooflight be double glazed?

Yes, many makers offer slim sealed double glazed units that fit a narrow frame. The quote names the glazing for your unit and the maker's declared figure, so you can compare it with the Part L limit for rooflights, which is 2.2 W/m²K for an existing home.

Does the centre bar have to be there?

Not always. The bar echoes the historic design and is often what a conservation officer expects, but some roofs suit a single pane. The choice depends on the building, the officer and the maker's range, and we draw the version you want so the council can see it.

What happens to the old slates or tiles from the opening?

The roofer sets them aside and reuses them around the new frame, since they match the roof in colour and weathering. If more are needed, we take a sample to match. Careful reuse is part of what makes a rooflight look as if it belongs.

Can a rooflight go in a thatched roof?

Thatch needs a different approach, and a standard slate-and-tile style unit does not suit it. If your roof is thatched, tell us at the first call and we will explain what can and cannot be done before anything is drawn.

How soon is the unit ordered?

After the roof position and the drawing are agreed, and the council has had its say where that is needed. The order is placed against the roofer's dates, the maker gives the lead time, and the delivery date is confirmed when the order goes in.

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A dining room in a rear extension lit by a flat rooflight, garden doors open to the lawn
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